A SCHOLARLY BOOK REPOSITORY
In his explorations of the relations between the sacred and violence, René Girard has hit upon the origin of culture—the way culture began, the way it continues to organize itself. The way communities of human beings structure themselves in a manner that is different from that of other species on the planet.
Like Albert Einstein, Sigmund Freud, Émile Durkheim, Martin Buber, or others who have changed the way we think in the humanities or in the human sciences, Girard has put forth a set of ideas that have altered our perceptions of the world in which we function. We will never be able to think the same way again about mimetic desire, about the scapegoat mechanism, and about the role of Jewish and Christian scripture in explaining sacrifice, violence, and the crises from which our culture has been born.
The contributions fall into roughly four areas of interpretive work: religion and religious study; literary study; the philosophy of social science; and psychological studies.
The essays presented here are offered as "essays" in the older French sense of attempts (essayer) or trials of ideas, as indeed Girard has tried out ideas with us. With a conscious echo of Montaigne, then, this hommage volume is titled Essays in Friendship and in Truth.
Doctor, militant, essayist, ambassador, teacher, journalist, pan-Africanist, Frantz Fanon sought to decolonize mid-twentieth-century culture as he embodied a new kind of intellectual. Born in colonial Martinique, he fought for France during World War II but later renounced his citizenship and fought in the Algerian War of Independence. This book emphasizes Fanon’s gift for self-invention and performance as it follows his short but extraordinary life and explores how his pioneering work in psychiatry influenced his revolutionary philosophy.
The authors offer encyclopedic entries on each of the 178 mussel species currently identified in Alabama and the Mobile River Basin—the scientific and common names; a morphological description as well as color photographs of the shell appearance; analysis of the soft anatomy; information about ecology, biology, and conservation status; and a color distribution map. With an extensive glossary of terms and full index, plus additional material on the archaeological record, a history of commercial uses of mussels, and the work of significant biologists studying these species, this volume is a long overdue and invaluable resource, not only for scholars of aquatic biology and zoology but also conservationists interested in the preservation of ecological diversity and protection of inland environments.
Each entry in this definitive guide provides a detailed description and multiple depictions of the species as well as select characteristics of its soft anatomy and miscellaneous notes of interest. Individual distribution maps pinpoint the historical and present occurrence of each bivalve species and are just one component of the rich set of 307 mussel and habitat photographs, seventy-four maps, and thirteen tables that illustrate the book. Of particular interest are remarkable electron micrographs of glochidia, the specialized larval life history stage parasitic upon fishes.
Freshwater Mussels of Florida will be of lasting value to state and federal conservation agencies as well as other government and nongovernment entities that manage aquatic resources in Florida. The research provides a key baseline for future study of Florida mussels. The survey results in this guide, along with extensive reviews of historical mussel collections in natural history museums, provide a complete picture of the Florida mussel fauna, past and present.
“The well-written and candid letters of a reasonably articulate Southern officer, who paints a lucid picture of everyday life in the Confederate army in a little-known theater… Williams’s letters, personally written and shot through with his sharp sense of humor and folksy artwork, provide an excellent account of a long neglected theater of the American Civil War.” – Western Pennsylvania History
Williams’s biographical investigation of this poet, dramatist, novelist, designer, and filmmaker centers around Cocteau’s constant self-questioning and how it permeated his work. From Cocteau’s work in fashion and photography to his formal experimentation to his extensive collaborations with male friends and lovers, the book charts the complex and unpredictable evolution of his work and aesthetic. Williams argues that Cocteau’s body of work is best viewed as an ethical, erotic project of aesthetics that carries important ramifications for our contemporary understanding of being and subjectivity.
An engaging and wholly accessible account, Jean Cocteau is essential reading for all those fascinated by the man and his unforgettable films.
Composers featured: Michael Abels, H. Leslie Adams, Lettie Beckon Alston, Thomas J. Anderson, Dwight Andrews, Regina Harris Baiocchi, David Baker, William C. Banfield, Ysaye Maria Barnwell, Billy Childs, Noel DaCosta, Anthony Davis, George Duke, Leslie Dunner, Donal Fox, Adolphus Hailstork, Jester Hairston, Herbie Hancock, Jonathan Holland, Anthony Kelley, Wendell Logan, Bobby McFerrin, Dorothy Rudd Moore, Jeffrey Mumford, Gary Powell Nash, Stephen Newby, Coleridge-Taylor Perkinson, Michael Powell, Patrice Rushen, George Russell, Kevin Scott, Evelyn Simpson-Curenton, Hale Smith, Billy Taylor, Frederick C. Tillis, George Walker, James Kimo Williams, Julius Williams, Tony Williams, Olly Wilson, and Michael Woods
Describing the hard working conditions on plantations and the harsh treatment of apprentices unjustly incarcerated, Williams argues that apprenticeship actually worsened the conditions of Jamaican ex-slaves: former owners, no longer legally permitted to directly punish their workers, used the Jamaican legal system as a punitive lever against them. Williams’s story documents the collaboration of local magistrates in this practice, wherein apprentices were routinely jailed and beaten for both real and imaginary infractions of the apprenticeship regulations.
In addition to the complete text of Williams’s original Narrative, this fully annotated edition includes nineteenth-century responses to the controversy from the British and Jamaican press, as well as extensive testimony from the Commission of Enquiry that heard evidence regarding the Narrative’s claims. These fascinating and revealing documents constitute the largest extant body of direct testimony by Caribbean slaves or apprentices.
What would Thanksgiving be without pecan pie? New Orleans without pecan pralines? Southern cooks would have to hang up their aprons without America’s native nut, whose popularity has spread far beyond the tree’s natural home. But as familiar as the pecan is, most people don’t know the fascinating story of how native pecan trees fed Americans for thousands of years until the nut was “improved” a little more than a century ago—and why that rapid domestication actually threatens the pecan’s long-term future.
In The Pecan, acclaimed writer and historian James McWilliams explores the history of America’s most important commercial nut. He describes how essential the pecan was for Native Americans—by some calculations, an average pecan harvest had the food value of nearly 150,000 bison. McWilliams explains that, because of its natural edibility, abundance, and ease of harvesting, the pecan was left in its natural state longer than any other commercial fruit or nut crop in America. Yet once the process of “improvement” began, it took less than a century for the pecan to be almost totally domesticated. Today, more than 300 million pounds of pecans are produced every year in the United States—and as much as half of that total might be exported to China, which has fallen in love with America’s native nut. McWilliams also warns that, as ubiquitous as the pecan has become, it is vulnerable to a “perfect storm” of economic threats and ecological disasters that could wipe it out within a generation. This lively history suggests why the pecan deserves to be recognized as a true American heirloom.
In a fascinating analysis of critical themes in Feodor Dostoevsky’s work, René Girard explores the implications of the Russian author’s “underground,” a site of isolation, alienation, and resentment. Brilliantly translated, this book is a testament to Girard’s remarkable engagement with Dostoevsky’s work, through which he discusses numerous aspects of the human condition, including desire, which Girard argues is “triangular” or “mimetic”—copied from models or mediators whose objects of desire become our own. Girard’s interdisciplinary approach allows him to shed new light on religion, spirituality, and redemption in Dostoevsky’s writing, culminating in a revelatory discussion of the author’s spiritual understanding and personal integration. Resurrection is an essential and thought-provoking companion to Dostoevsky’s Notes from the Underground.
A history of contemporary rhetoric, Visions and Revisions: Continuity and Change in Rhetoric and Composition examines the discipline’s emergence and development from the rise of new rhetoric in the late 1960s through the present. Editor James D. Williams has assembled nine essays from leading scholars to trace the origins of new rhetoric and examine current applications of genre studies, the rhetoric of science, the rhetoric of information, and the influence of liberal democracy on rhetoric in society.
Given the field’s diversity, a historical sketch cannot adopt a single perspective. Part one of Visions and Revisions therefore offers the detailed reminiscences of four pioneers in new rhetoric, while the essays in part two reflect on a variety of issues that have influenced (and continue to influence) current theory and practice. In light of the recent shift in focus of scholarly investigation toward theory, Williams’s collection contextualizes the underlying tension between theory and practice while stressing instruction of students as the most important dimension of rhetoric and composition today. Together, these chapters from some of the most influential scholars in the field provide a range of perspectives on the state of rhetoric and composition and illuminate the discipline’s development over the course of the last forty years.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press